Dancing on the Beach

By Karen Little. I’m a very private person, especially when it comes to doing something in public that is seemingly foolish. And what I regard as foolish is showing off my body in any way, dress, or motion in which it isn’t reasonable to be shown. I will not, for example, trot down my neighborhood…

College Dance and the “Real World”

By Natalie Walters. If you’ve hung out with a Senior in college lately, you’ve probably witnessed a least one breakdown or “freak-out”  about something along the lines of entering the vicious job competition underprepared and moneyless. If you’re hearing this from a Dance major, then they’re also worrying whether their body is pretty enough, strong enough,…

La Salsa Cubana Experience

By Cherie Magnus These days ladies alone do pretty well anywhere in the world they travel. The world has gotten used to women on their own in airports and hotels due to business traveling, and more recently, vacationing. I’ve traveled alone in many countries and I wholeheartedly recommend it for those decisive independents who don’t…

For Love Or Money

By Leda Meredith “If you care so much about the money, you must not care about your art.” That astonishing statement was made by the executive director of a dance company with whom I was about to embark on a six week tour. It was in response to a question I’d asked about when we…

Part Four of The Essential Imagination Series

Living Other Lives Part Four of the Essential Imagination Series by Leda Meredith Photo by Tom Caravaglia, of Leda Meredith and Michael Jahoda in Jennifer Muller’s ‘The Spotted Owl’ This is the article that inspired my quest to bring Leda Meredith to the-vu Jeffrey the Barak, Publisher. Stepping onto the stage, I am living two…

Part Three of The Essential Imagination Series

Make Believe By Leda Meredith Photo by Eduardo Patino of Leda Meredith in Francis Patrelle’s ‘Macbeth’ Several years ago I was coaching a young dancer in a dramatic role and I asked what her interpretation of the character was. She looked at me with utter confusion and then described the mood of the entire ballet….

Part Two of The Essential Imagination Series

Detail and Nuance by Leda Meredith photo: Tom Caravaglia Make believe No, not fantasy, but truly how to make someone believe. How to make an audience suspend disbelief in what they are witnessing long enough to be moved by what they have seen and to think about it for years afterward. What do you remember…

Part One of The Essential Imagination Series

Essential Imagination By Leda Meredith “It’s just your imagination.” Was there ever a more detrimental thing to say to a child, especially a child who may someday wish to be a performer? Think about it: the computer screen you are looking at would not exist if someone hadn’t imagined it first. The design of the…

Technique Is Only The Beginning.

By Leda Meredith photo by Bill Hedberg “There was a child went forth every day, And the first object he look’d upon, that object he became, And that object became part of him for the day or a certain part of the day, Or for many years or stretching cycles of years…” When I was…

How Often Do You Get It?

by Leda Meredith photo by Tom Caravaglia What if you were to walk down the street and randomly interview passersby with the question, “How often do you buy tickets for dance performances?” Now imagine asking the people who sometimes do, what would motivate them to buy tickets more often. Then imagine asking the ones who…

Solo Tango in Buenos Aires

By Cherie Magnus It’s just before dawn, and our small group of Argentines and Americans are tired and filled with reverie after a night of tango. We’re drooped over cafes con leche on an old wooden table in a run-down nineteenth-century coffee shop. The large party over by the dark windows also look like they’ve…